Footwork - Guilty Simpson - Ode To The Ghetto (CD, Album)

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  1. Guilty Simpson discography and songs: Music profile for Guilty Simpson, born 11 January Genres: Hardcore Hip Hop, Boom Bap, Hip Hop. Albums .
  2. Without a single complete failure of a track (Simpson makes up for some of the weaker guest producers), Ode to the Ghetto is easily one of the best hiphop releases of The Best In Order: The Future (Madlib) The Real Me (Black Milk) Footwork (Oh No – Madlib’s little brother) I Must Love You (J Dilla).
  3. Although Ode to the Ghetto is only Guilty Simpson's first official full-length, the Detroit rapper has been around for much longer than that, making his first appearance (to be heard much outside of the Motor City) on the Jaylib album Champion Sound, thanks in part to his friendship with J Dilla.7/
  4. Not that Ode to the Ghetto was likely to be any better in the event it was inspired by cartoons and video games instead of more traditional muses, since like his namesake, Simpson creates a.
  5. Ode to the Ghetto is the debut solo studio album by American rapper Guilty Simpson from the Almighty Dreadnaughtz. It was released on March 25, via Stones Throw Records.
  6. Footwork Guilty Simpson. Produced by Oh No. Album Ode to the Ghetto. Footwork Lyrics. Good shit [Guilty Simpson] Crack, E, Powder, Weed No matter what it is they got what you need.
  7. Mar 24,  · Simpson was largely unknown outside of his hometown of Detroit until his friend and collaborator J Dilla relocated to Los Angeles, thereby helping connect Guilty with the venerated hip-hop label Stones Throw. Much like Dilla’s late-career work, Ode to the Ghetto became a melding of L.A. and Detroit voices. The production work was split among longtime Simpson pals like Dilla, Black Milk, .
  8. Album by Guilty Simpson. Run by Guilty Simpson feat. Black Milk and Sean Price. Ode to the Ghetto (OJ Simpson Remix) by Madlib () Footwork. was sampled in Fair Warning by Nottz () Almighty Dreadnaughtz by Guilty Simpson feat. Super MC, Krizsteel and Konnie Ross.

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